Center for Asian American Media

In New York, Asian CineVision (ACV) formed in 1976 and pursued similar goals as VC, helping to nurture a nascent East Coast filmmaking community.

Since launching the groundbreaking Asian American anthology series “Silk Screen” (1982-1987) on PBS, CAAM continues to bring award-winning works to millions of viewers nationwide.

[7] Over $3 million has flowed through CAAM's Media Fund since 1990, putting life into (or polish onto) dozens of acclaimed and award-winning projects.

[9] In 2007, the Wallace Foundation awarded CAAM with $514,000 to use current digital media to broaden and diversify the audience for the San Francisco International Asian American Film Festival.

[11] Since 2013, CAAMFest has served as a platform for all film and media supported by CAAM, filled with sponsors, awards, presentations, and galas.

After 2013, some festivals have been themed like CAAMFest35 in 2017, yesterday today tomorrow,[12] which highlighted CAAM's past, present, and future in Asian American media.

Showing these films at non-peak viewing hours lessened the attention to each production, posing a risk to the independence of filmmakers deciding to take the media fund or not.

However, if the independent Asian American filmmakers took the money from CAAM then they had higher chances of broadcasting the work, although slim because only 14% of the 193 projects from 1999 to 2001 were chosen.

[5] CAAM Fellowship Program is an opportunity to foster growth among Asian American documentary filmmakers, producers, and directors.

Commemorative T-shirt made for the 30th anniversary of the San Francisco International Asian American Film Festival in 2012. The image shows actors Tiana Alexandra and Mark Dacascos