He based his conclusion off of Sahagún's decision to mention Chantico's calendric name when listing deities that were particularly important to the tlatecque.
[1] According to Fray Juan de Torquemada, Chantico was also worshipped in a temple constructed by Moquihuix, ruler of Tlatelolco, in an attempt to conquer Tenochtitlan.
According to inquisitorial records, Moctezuma reportedly used an idol effigy of Chantico that had a removable leg with which one would pound the earth in order to curse Hernán Cortés's advances into the Aztec Empire.
Sahagún and his informants describe Chantico by stating "She has a bulge of rubber on her lips, half of her face painted red, a bouquet made of dried herbs, her gold ear decorations.
Chantico's headdress in the Codex Rios displays military attributes: a crown of poisonous cactus spikes, related to danger and aggression; a crest of aztaxelli, green warrior's feathers, connecting her with warfare.
For example, the Codex Rios presents ambiguous pronouns, stating Cantico they say was the first who offered sacrifice after having eaten a fried fish; and that in consequence of the presumption of offering sacrifice without having fasted, Tonacatecuhtli became incensed, and pronounced a curse against him (her), that he (she) should be changed into a dog, which is an animal of a very voracious nature; and accordingly they named him (her) Nine Dogs.
They said that he who was born on the first sign of Air (Wind) would be healthy by his nativity; but that if he grew ill of pains or cancer, that his disease would be incurable.
[10] Eduard Seler, a German anthropologist known for his extensive study of Mesoamerican cultures, notes in his commentary on the Codex Vaticanus B that he believes that Duran confused the Aztec deity Ciuacouatl with Chantico due to the proximity of the cities with which they are respectively associated with.
"[5] Upon encountering the colossal head found in the Templo Mayor, known as the Coyolxauhqui-Chantico monument, Mesoamerican scholar Hermann Mayer gave it is current name.
Eduard Seler recognized that iconographic elements associated with Chantico, such as itzcactli ("obsidian sandals") and a golden pendant related to a solar picture, were present in the Coyolxauhqui-Chantico monument.