[2] In 2007, Battle was featured in the "Spotlight Series" of the Canadian Filmmakers Distribution Centre (CFMDC) which coincided with the release of a DVD of her video work.
Her creative techniques were documented in a published essay by Jon Davies:[9] Battle began with extensive historical research, finding text and images to incorporate into the project.
The work is described as "the image of an icosahedron, in addition to an equilateral triangle, the ideal viewing location or the potential site for strange anomalies to occur.
The magazine Canadian Art described the artist's video installation, starting with images of "the present-day ruins of the town:" Yellow wildflowers wave in the breeze around structures of rotting wood and peeling paint.
[14] Battle's dearfield, colorado is described as "images of the town's deserted and desolate buildings with quotes taken from first-hand accounts of dust storms.
"[13] In 2015, the Thames Art Gallery (Chatham, Ontario) presented End Transmission by Christina Battle, which "takes place after an environmental collapse, based on recent disaster headlines, in a soon-to-be future after our own time’s intensifying inequality, debt, climate change, fossil fuel dependency and global food crisis.
"[15] Also in 2015, Le Centre des arts actuels Skol (Montreal, Quebec) presented The people in this picture are standing on all that remained of a handsome residence, the artist's evocation of the July 31, 1987 tornado in Edmonton, Alberta.
The exhibition featured work by Debbie Ebanks Schlums, Serena Lee, Eugenio Salas, and Shawn Tse with recent video by Scott Portingale.
[19]Grasping at the Roots took cues from mycorrhizae, mutually beneficial associations between fungi and plants, and operated from the premise that this strategy of care has the ability to foster and develop community in sustainable and meaningful ways.
Artists in Grasping at the Roots incorporated a variety of tactics and material forms along with site specificity in order to translate works that perform actively in the world for the space of the gallery.
Battle has described the exhibit and book as "built around the single-channel video wandering through secret storms," which is about "what is left out of archives and 'official' history records," in her words.
Primary sources pertaining to Battle's expositions and commissions are available at Artexte (Montreal, Quebec) which is "a library, research centre and exhibition space for contemporary art".