Christof Migone is a Swiss-born[1] experimental sound artist and writer, formerly based in Montreal, now living in Toronto.
He is assistant professor at the Department of Visual Arts at the University of Western Ontario[2] Migone's solo recordings include Sound Voice Perform (2006), South Winds (2003), Crackers (2001), Quieting (2000), The Death of Analogies (1999), vex (1998) and Hole in the Head (1996).
[3] His writing on audio art has appeared in EAR magazine, Radiotext(e), Radio Rethink, Theater Drama Review, Parachute, Site of Sound: of Architecture and the Ear, Experimental Sound and Radio edited by Allen S. Weiss, Writing Aloud: The Sonics of Language, S:ON Sound in Contemporary Canadian Art edited by Nicole Gingras, and Aural Cultures edited by Jim Drobnick.
In Sonic Somatic: Performances of the Unsound Body, Migone proposed a form of aesthetic sonic philosophy, which explored how sound shapes and disrupts the way art shifted from subject to object through to the abject.
[4] He was a founding member of the audio based artist-run center Avatar in Quebec City.