[citation needed] Subsequent projects from the mid-2000s have included Kill House, an analysis of US based disciplinary vernacular structures used for the training of private special-forces prior to deployment to Iraq and Afghanistan, Super Border, photographs taken along the route of the newly opened 300 million euro External Integrated Vigilance System on the southern Andalucian coast in Spain and The Colony, that looks at the displacement of natural fauna against a military build-up in the Pacific region.
Stewart curated the group exhibition Staging Disorder with Esther Teichmann in 2015 for University of the Arts London which included the work of An-My Lê, Richard Mosse, Broomberg and Chanarin, Sarah Pickering, Claudio Hils and Geissler/Sann.
The exhibition was accompanied by a publication with essays by David Campany, Howard Caygill, Alexandra Stara, Adam Jasper, Esther Teichmann and Christopher Stewart; Private at the Hockney Gallery whilst a student at the Royal College of Art in 1997 which included the work of Clare Strand and Maggie Lambert; Infraliminal at Stills Gallery for the Edinburgh Fringe in 2001 which was reviewed in The Guardian[2] and included the work of Rut Blees Luxemburg, Sophy Rickett and Juan Delgado.
Catalogue essays include a commissioned from the Krackow International Photomonth Festival in Poland in 2010.
[citation needed] From 2004 to 2008 he was Principal Lecturer and head of the academic area of Photography, Moving Image and Sound at the University of Brighton.