Chronica Majora

The Chronica Majora is the seminal work of Matthew Paris, a member of the English Benedictine community of St Albans and long-celebrated historian.

[5] It continues to be mined for its coverage of the Mongol invasions, its detailed report of the conflict between Frederick II and successive popes, as well as its commentary on the outbreak of the Second Barons' War of 1258–1267.

The Chronicler computes the years Anno Domini and months kalends, and briefly describes the actions of kings and princes which occurred at those times; he also commemorates events, portents and wonders.

Matthew set out to shape the work in a chronological order, but it developed into a multi-layered pastiche because he continued the monastic practices of revising and augmenting entries retrospectively.

[9] In addition, the number of changes made to the Chronica suggests that Matthew adapted and reworked much of his material, and in so molding it he enlarged both his own role as author and the historiographical nature of his writing.

While many maintain that Matthew never intended to be a "humble compiler of dated events" (as Lewis explains), some still regard his work as a cumbersome annalistic production.

[11] In the eyes of Matthew, who was a conservative Benedictine monk, signs and portents forewarned of famine and other miseries that would befall humanity in retribution for their sins.

In essence Matthew believed that history, and the sinful actions that forged it, would prompt sinners to hasten quickly to seek God's forgiveness.

Matthew Paris's Chronica Majora contains one of the first extant descriptions and images of the Wandering Jew, a legendary figure who struck and scolded Jesus on his way to the crucifixion, thereby becoming doomed to walk the earth until the Second Coming.

Elephant from Chronica maiora , Part II, Parker Library , MS 16, fol. 151v
The Wandering Jew (left) meets Christ on his way to Calvary , as depicted in the Chronica Majora