Clara Viebig

She went to Berlin to study music, but instead of doing it, found that the stimulus of the great city, in addition to the landscapes she had already seen, was beginning to steer her toward a literary career.

[5] In Das Schlafende Heer she depicted the alleged racial division between Poles and Germans, focusing on character of Polish women, obsessing with the distinction between blonde and black, white and dark and portraying them as plotting the demise of German men, who needed to be warned in advance.

[6] The Poles were living according to Viebig in a state of "animalistic and barbaric state", from which only German "civilizing mission" could save them, the solution to this "Polish problem" was exclusive colonization (preferably combined with expulsions), Viebig warned that "Polish degeneracy" was "contagious".

[7] Kristin Kopp from University of Missouri writes that Viebig's novel represents a "prominent example" of narrative strategy that presents Polish characters whose external "whiteness", conceals hidden "blackness", which allows them to infiltrate German culture and undermine German colonial projects.

[8] As her fame faded, in 1933 she published Insel der Hoffnung ("Island of Hope"), which condemned the Weimar Republic and praised the colonization of the border with Poland.

Viebig by Nicola Perscheid c. 1906
Viebig by Nicola Perscheid c. 1912
Viebig with husband Friedrich Theodor Cohn and son Ernst in 1906