[8] Fox is also known for his minimalist architecture paintings, which are held in numerous major museums and private collections, and for his pop representations of Gilbert Stuart’s iconic portrait of George Washington.
[9] Beginning in the seventies, Fox used Mr. Peanut as a vehicle for ironically commenting on consumerist culture and brand-name icons, drawing on the analyses of the Situationist International.
[10] "From a pure art standpoint, Clark Fox's monumental painting 'Das Kapital,' with its reverbrating [sic] shadows of green, yellow and blue, is the show's masterpiece", The Houston Chronicle noted with regard to the Situationist-inspired "Corpocracy" exhibit in 2016 at Houston's Station Museum of Contemporary Art.
The gallery eventually "turned nonprofit and became the Museum of Contemporary Art (MOCA), has served as an incubator for local talent, consistently presenting shows that transcend age, gender and race and that challenge the status quo.
The work of accomplished talents such as Manon Cleary and Joe Shannon hangs alongside that of such emerging artists as...", noted The Washington Post in 1995.