Today, any composition fitting this particular ragtime structural form is considered classic rag.
As the 20th century dawned, most composers, arrangers, and publishers began to settle on a common set of notational and structural conventions, and because Scott Joplin was the best-selling ragtime composer in that era, his conventions eventually predominated.
[citation needed] In idealized form, the classic rag has the following structure: This can be written more succinctly as: INTRO AA BB A CC DD.
Few classic rags follow this idealized form, which is only a generalization; there are a number of standard variations: In the later years of ragtime, under the influence of Tin Pan Alley, a shorter three-strain form (omitting the D strain) became common.
The treble clef (played by the right hand) typically contains the syncopated melodic theme, while the bass clef (the left-hand part) grounds this theme rhythmically with a regular, alternating pattern of eighth-notes (a walking bass).