Situated today in Alsace to the south-west of the Champ du Feu, Clivemont's 965 metre peak is recognizable from a distance by its trapezoidal shape.
The solitary tomb-shaped hill has long been a landmark to the south of the straight voie des saulniers (a salt trading route), at the start of the massif running from Ormont.
Today drivers who take the fast route passing around Saint-Dié or entering the Fave valley in the direction of the Lusse tunnel or the Saales col can contemplate the splendid isolation and magnificent evening lighting of Climont's slopes.
The dialect name, whether of German or Roman origin, means a cut-off shape, referring to the abrupt slopes which fall from Climont's ledged summit.
In the Saales col, whose flat horizons appear as a peneplain to the eye, there is similarity between the mounds of Climont, Voyemont, Houssot or the hills which continue from Ormont, all to a greater or lesser extent released by erosion.
Note that the final and most recent erosion has arisen from the enclosing faults, which emerged transverse to the Alsatian rift and stretch out towards the Saint-Dié area.
To the west of the hamlet of Climont, going towards Colroy-la-Grande, are the oldest rocks in the Vosges, in the shape of a blade of stones observable at the surface over about 100 meters.
Herds of goats appreciated the tough pasture of the slopes, partially exposed and covered with small young oaks, deciduous trees for the most part eclipsing the little surviving softwood, pines on the soil of gullies and firs in the shady basins.
At the edges of the mound, particularly under the Easter basin near the houses of the Climont hamlet, meadows, pasture and fields show the agricultural vitality of the mountain communities during cold periods.
The terram de cilkenbergh cultam and incultam (land of Climont in its cultivated and uncultivated parts) appears in the list of property of the Baumgarten Abbey in 1195.
According to land, habitat family and community details, an arbitrary initial distinction can be shown between two slopes of Climont, one belonging to Urbeis, and the other to Bourg-Bruche and Saâles.
Although it has not been possible to count these "censes", they are described a century later, perhaps by the Rebers, as a house built of stone, covered with shingles, containing a kitchen, two bedrooms, a storeroom, shed and barn.
Jean Dellenbach, a Climont labourer belonging to one of the leading Anabaptist families, left the inventory of his goods with the Boersch notary on 16 February 1848.
The total amounted to 223 Francs, of which the following is a part: A sometimes distant rural exodus had begun on Climont, but those who lived there were persevering and developing non-farming-related pursuits: stonecutting, distilling, and weaving after the arrival of weavers who had relocated their small clothesmaking businesses for economic reasons from the textile towns.
After over a century, three large, prominent and related families controlled the Climont community, Dellenbach (Dellembach), Bacher (Boecher, Becher, Pacher, Pêcheur) and Beller.
In 1790, Elisabeth, a 25-year-old Dellenbach girl, married a Protestant from Plaine, provoking the first break in the Anabaptist community's management of the former manorial lands of Villé.
The valley of Le Hang, containing the source of the Bruche, today forms a vast clearing, mostly within the Bourg-Bruche commune with a part of its western edge in Saales.
Gérard Durand, in his album La Climontaise published Kobra, based at the Neuve Eglise, attempted to do this, synthesising polka, waltzes and marches.