In Jotunheimen, a boy with a large birthmark covering one eye runs frantically through a blizzard, pursued by an unknown entity.

Eirik, Mikal and Ingunn go explore the abandoned resort, while Jannicke stays to keep Morten company.

While exploring the various lodge suites, they discover a room in disarray with a bed burnt to cinders.

Eirik, on his way back to the parlor, hears a clanking noise from down in the cellar, and assumes it is Mikal and Ingunn.

With the lights back on, music playing and plentiful amounts of food and alcohol, the group relaxes in the parlor.

The group settles in for the night with Mikal and Ingunn running off to a suite, Jannicke and Eirik cuddling under blankets in the parlor, and Morten Tobias alone on the couch.

Ingunn hears a strange noise and, thinking it is Mikal returning, enters the hall.

She is suddenly attacked by an unknown shape and runs through the halls screaming for help but is drowned out by the music playing in the parlor.

She brings Mikal and Morten Tobias to the suite just as a blast of wind flows through the hallway from an open door.

She narrowly misses being spotted by the Mountain Man as he drags Mikal's body inside.

Jannicke waits for the Mountain Man to appear so she can shoot him but discovers the keys she gave to Eirik on the floor.

Thinking quickly, Jannicke shuts the door and locks him in the back room but refuses to leave him in there with Eirik.

Opening the door, she shoots but is knocked askew by Morten Tobias who realizes the Mountain Man is using Erik as a human shield.

Jannicke is the last to be dragged off the sled and, as the Mountain Man grabs her, she stabs him in the neck with the box cutter.

As the Mountain Man is about to stab Jannicke, she rips off his goggles revealing a birthmark over his eye.

Helicopters flew the 20 tons of equipment to the top of the mountain where the temperature was below −25 degrees Celsius.

Harvey's only criticism was the film's killer which he called "a generic Halloween-y faceless ghoul in goggles and heavy winter wear.

wrote a mixed review, complimenting the film's acting, and characterizations, but criticized its languid pacing and ending.

[9] Scott Weinberg of FEARnet believed that the film "works well by force of style, splat, and intensity.

In 2017, WWE Studios acquired the exclusive English-language remake rights to the franchise and sealed a deal for an option to purchase the screenplay by Casey La Scala.