An early work appearing to be influenced by the Flemish school, the Sibiu Crucifixion was formerly attributed to an unknown 14th century German painter.

A symbolic view of Messina is depicted in the background, probably an allusion to Jerusalem as requested by the unknown client, in a typical fashion of the time.

The Antwerp Crucifixion represents Christ crucified between two evil-doers, with Mary and John the Evangelist seated on the ground.

The work shows a landscape typical of the Flemish school in the lower part; the well devised spatial disposition of the crosses in the upper half demonstrates a full knowledge of the innovative method of perspective known to Italian art of the period.

The geometrical composition is divided in two parts by the cross and the lake in the background, with the Virgin on the left and St. John on the right.