Dalila Puzzovio

[5] Like many pop artists of the time, such as Delia Cancela and Eduardo Costa, Puzzovio blended her interest in art with fashion.

From 1998 to present day, her artwork primarily consists of digital photographic collages, among the most notable is her work Hibridos (Hybrids).

During 1965, this artistic trio worked together on the design for a poster panel located on the corner of Viamonte and Florida Streets[10] in Buenos Aires that read "¿Por qué son tan geniales?".

The panel was constructed by painters from Meca publicity agency and posed the question "Why are we such geniuses" in bold, black letters.

[7] The painting illustrated the tanned body of an international model Verushka, who laid on the sand with a bikini embedded with rich jewels.

The following year, her artwork was honored through the Premio Nacional de Di Tella, which would make her a second-time winner of such award.

[18] She additionally used this artwork as the basis of El Deslumbre, an installation and performance that was showcased at arteBA, Buenos Aires' annual contemporary art fair, in 2011.

The general public that visited contributed to the mobilization of the artwork by trying on pairs of shoes and modeling them in a catwalk that was installed specifically for the event.

Dalila Puzzovio in 1962 with her piece La Novia Abandonada
Dalila Puzzovio. Doble Plataforma, 1967.