[4] Siegler has stated that he developed a love for rock music in high school, where he was also involved in friends' theater and dance performances.
[3] During his collaborative efforts with Tanowitz, Siegler notably employed unconventional sounds such as that of running water and "staticky buzzes" to compliment instruments such as the piano and bass.
[9] According to The New York Times, Siegler produced the original score to the second half of Tanowitz's "the story progresses as if in a dream of glittering surfaces".
[16] Concrète Jungle was composed through the assemblage of recorded conversations with hundreds of New York residents, with ambient sounds complimented by improvised dancing.
[17] According to The New Yorker, Siegler's work has been influenced by the avant-garde jazz genre, hip-hop group Public Enemy, as well as No Wave.