It was characterized by a mixture of live drumming and electronic percussion with frequent use of slide guitar, synthesizers and samplers and succinct and introspective lyrics, sung with offbeat vocals of Dejan Vučetić.

The band cooperated with a number of musicians—most notably prominent jazz musicians Vasil Hadžimanov and Bisera Veletanlić—and composed scores for several films and theatre plays.

[1] During the same year, the band released their first recordings, the tracks "Veliki duh" ("The Great Spirit") and "Srećna glava" ("Happy Head"), on the Nova Aleksandrija record label various artists compilation Želim jahati do ekstaze (I Want to Ride to Ecstasy), also featuring the bands Presing, Kazna Za Uši, Klajberi and Euforija.

[2] In 1997 the band recorded music for the play Trainspotting, based on the Irvine Welsh novel of the same name, performed at the BITEF theatre and directed by Đorđe Marjanović.

[1] The recorded material was released on the album entitled simply Darkwood Dub,[1] which also featured five remixes made by Chiq Toxiq, Velja Mijanović and Boris Krstajić.

[3] The tracks like "Sila" ("Force"), "Strategija bumerang" ("Boomerang Strategy") and "Sistem" ("System") featured the band experimenting with dub and drum and bass.

[1] It featured guest appearances by Ana Žunić (backing vocals), Filip Krumes (violin, viola), Vasil Hadžimanov (keyboards), Dušan Petrović (saxophone) and Nemanja Kojić "Kojot" (trombone).

[1] The album presented the band to a wider audience, making it a mainstream act, and the success was noted on numerous live appearances on their two-year tour in former Yugoslav republics,[2] including the performance at the first Novi Sad EXIT festival in 2000.

[5] In 2001 the band participated in the project organized by a former Bjesovi vocalist Goran Marić, Pesme iznad istoka i zapada (Songs above the East and West), featuring various Serbian rock bands composing music to the poems and prayers written by Bishop Nikolaj Velimirović, with the track "Molitva Blagom Hristu" ("A Prayer to the Mild Christ").

[6] In 2002 the band released their fifth studio album, Život počinje u 30-oj (Life Begins at 30), produced by Saša Janković and featuring guest appearance by Presing vocalist Zoran Radović "Kiza".

[15] In April 2011, the band released the song "Nešto sasvim izvesno" ("Something Quite for Certain"), featuring the famous Serbian jazz singer Bisera Veletanlić, for free digital download through the Exit Music[broken anchor] online record label.

[18] In July the band released their eight studio album, Vidimo se (See You) for free digital download thorough Exit Music, as well as on compact disc through Odličan Hrčak.

[25] After the band ended their activity, Bojan Drobac and Milorad Ristić continued their career working under the name Bella Technika (a pun on beautiful technique and bela tehnika, lit.

The list was published in the book Kako (ni)je propao rokenrol u Srbiji (How Rock 'n' Roll in Serbia (Didn't) Came to an End).