His stated conceptual focus is on dynamic non-linear and interdependent relationships found in nature and society, juxtaposed with the human desire to control, manipulate and predict outcomes.

[3] Major works have been included with artists Rebecca Horn, Robert Rauschenberg and Alexander Calder in an extensive traveling museum exhibition; "Drehen, Kreisen, Rotieren",[4][5] and in "Genesis—The Art of Creation" with Joseph Beuys, Antony Gormley, Bruce Nauman at the Zentrum Paul Klee, Switzerland.

[16] In 1972 at the age of ten, he was accepted to the Art Students League of New York as one of the few minors in the institution's history, and studied oil painting in the Isaac Soyer class.

[3] There he began developing a form of the old Gum bichromate technique—a process that makes artist-pigments photosensitive—with which he produced six years of large-scale photographic paintings.

His earlier philosophical focus on human interdependent dynamic relationships is reduced to their intrinsic qualities as such, and how various manifestations are both initiated and experienced on the global scale.

In 2012 he first employed computerized generative graphics combined with physical interactive kinetic objects that merge the distinctions between the "real" and the "virtual" in one artwork.