David Hare (artist)

Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort.

Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment.

Hare began to experiment with Surrealist sculpture, which soon became his primary focus, and exhibited his work as solo shows in a number of prestigious venues, including Peggy Guggenheim's The Art of This Century gallery.

Well attended lectures there were open to the public, with speakers such as Jean Arp, John Cage and Ad Reinhardt, but the art school failed financially and closed in the spring of 1949.

[5][6][7][8] Hare continued to be closely associated with influential artists and thinkers throughout the late 1940s and 1950s, counting Jean-Paul Sartre, Balthus, Alberto Giacometti, and Pablo Picasso among his friends and acquaintances.

Texts by Uwe Goldenstein and Philippe Rey, English, 23 × 30.5 cm, 56 pages, 40 color and black & white plates, wrap around softcover Kodoji Press, Baden 2021, ISBN 978-3-03747-104-3

Mountain Night (1969), The Phillips Collection , Washington, D.C.