[1][2][3] The gallery was known for representation and championing prominent international artists such as Barbara Bloom[4] and the estates of Thornton Dial,[5] John Boskovich[6][7] and Mary Beth Edelson.
[11][12] During this time, Lewis published extensively, including essays on Guston, Sturtevant, and Matisse and he continued to publish after the gallery opened, including a review of the MoMA Picabia exhibition for Artforum and an essay on the history of cinema for Chrissie Iles's Dreamlands exhibition at the Whitney.
Beginning with the Philip K. Dick inspired A Scanner, Darkly,[13][14] the gallery ethos articulated a distinct pattern of experimental voices and exhibitions, including Lucy Dodd whose institutional exhibition included the Whitney Museum's 2016, Open Plan,[15] and Dawn Kasper, whose Nomadic Studio Practice culminated at the Sala Chini at the 2017 Venice Biennale.
[16] In the following years, the gallery began representing historically established artists such as Barbara Bloom and the estates of Thornton Dial, John Boskovich and Mary Beth Edelson.
The gallery also opened a second location in East Hampton, exhibiting Thornton Dial, Barbara Bloom, Tomás Esson, Todd Gray, and Peter Schelsinger in its first season.