Her later works, drawn from her extensive photographic oeuvre, are a series of mobile museums allowing her images to be endlessly edited, sequenced, archived and displayed.
[6] Singh's first foray into photography and bookmaking came through a chance encounter with tabla player Zakir Hussain, when he invited her to photograph him in rehearsal after she was shoved by an aggressive official while attempting to shoot him in concert.
A mix of photobook, biography, autobiography and fiction, this 'visual novel' emerged as a result of her refusal to be the subject of what could have been a routine but problematic photojournalistic project as well as her discomfort with the West's tendency to view India through simplistic, exotic lenses.
She has created multiple "book-objects" – works that are concurrently books, art objects, exhibitions, and catalogues—often in collaboration with the publisher Gerhard Steidl in Göttingen, Germany.
[12] Dream Villa was produced during her Robert Gardner Fellowship in Photography given annually by the Peabody Museum of Archaeology and Ethnology at Harvard University; Singh was its second recipient in 2008.
[14][independent source needed] Singh has created and displayed a series of mobile museums, giving her the space to constantly sequence, edit, and archive her images.
Each holds 70 to 140 photographs that Singh rearranges for each show so that only a portion of the photos or parts of each images are visible at any given time, capitalizing on the interconnected and fluid capacity of her work while allowing ample opportunity for evolving narratives and interpretations.
And she also displayed a part of Kitchen Museum which are accordion-fold books with silver gelatin prints in 8 teak vitrines that she makes as letters to fellow travellers or conservationists since 2000.
In order to move away from showing editioned prints framed on the wall, Singh made the book itself the art object: a work to be valued, looked at and read as such, rather than being regarded as a gathering of photographic reproductions.