Derek Michael Besant

[2] Some of his public commissions include: The Flatiron Mural in 1980 behind Toronto’s landmark Gooderham flatiron building on Front Street, Waterfall at 15 storeys high inside the atrium of Scotia Plaza at King & Bay in 1989,[3][4] two murals for Worldwide Centre at 58th and 8th Manhattan Cineplex New York City in 1989, and Train of Thought, a series of portraits at the uOttawa station of the Ottawa O-Train in 2018.

[5][6][2] Besant's exhibitions have included: representing Canada in the Sharjah Biennial in 2003, United Arab Emirates, University of London Goldsmiths College, Tokyo Media-Art Festival, Metropolitan Museum of Photography in Japan, the 2004 SIGGRAPH International Conference on Computer Imaging + Interactive Technologies, Los Angeles in 2004, and in many other international exhibitions since then, including one-person shows such as 15 Restless Nights (2008), Body Of Water (2008), and The End Of Language (2011) which have been shown in various galleries in Canada, and in Edinburgh, Madrid, Tokyo and Cambridge, UK, among other places.

[2] In 2018, for the exhibition The Dark Woods (Revisited), curated by Lubos Culen for the Vernon Public Art Gallery, Vernon, British Columbia, he created large scale (though deliberately slightly out-of-focus) images using UV thermal transfer printing which contained embedded fragments of text from a book by Alberto Pérez-Gómez, accompanied by a video projection of dark woods environments.

[7] In 2020, his exhibition Drawing Conclusions in which he used lenticular and latex UV ink technologies to record architectural construction sites was shown at the International Duoro Printmaking Biennial held at the Côa Museum in northern Portugal.

"[12] A 1985 review in the Edmonton Journal described Besant's images of "structures in the midst of diagrammatic environments" as "unusual and highly individual", and "dramatic enough to transcend the ordinary and encourage a thorough visual investigation.