In any event, the nightgown and the night cap, which have been present in all pictorial representations of the German Michel – the first ones dating from the first half of the nineteenth century – are also interpreted in a way that the German Michel is, in fact, a rather naive and gullible person, not prone, for example, to question the authority of the government.
The British historian Eric Hobsbawm wrote the most notable aspect of Deutscher Michel as portrayed in Imperial Germany was that:[1] The point about Deutscher Michel is that his image stressed both the innocence and simple-mindedness so readily exploited by cunning foreigners, and the physical strength he could mobilize to frustrate their knavish tricks and conquests when finally roused.
The central problem of creating a national identity in the newly unified German Reich was all of the various German states had their own histories and traditions, none of which could be used as a symbol to appeal to everybody, leading to a situation where Hobsbawm noted:[2] Like many another liberated 'people', 'Germany' was more easily defined by what it was against than in any other way.The xenophobic tendency to the Deutscher Michel character in the 19th century, whose innocence stands in marked contrast to the cunning and devious foreigners who are always trying to trick him, reflected the fact it was more easy to define the Reich in terms of what it was against, rather than it was for.
[1] In this regard, Deutscher Michel was very different from Marianne, who was defined in a more positive way as a symbol of the French republic and its values.
[1] A typical cartoon featuring Deutscher Michel was published in the May 1914 edition of the magazine Kladderadatsch, where Deutscher Michel is working happily in his garden with a seductive and voluptuous Marianne on one side and a brutish muzhik (Russian peasant) on the other; the message of the cartoon was that France should not be allied to Russia, and would be better off allied to Germany, since Deutscher Michel with his well-tended garden was clearly a better potential husband than the vodka-drinking muzhik whose garden is a disorderly disaster.