[1] In the present day, the sūkta is popularly chanted during the worship of the Devī (Universal Goddess in any form), in the daily rituals of temples, and also in various Vedic sacrificial ceremonies like iṣti, hōma, havana, etc.
It underscores the early Vedic recognition of women's enlightened awareness and introduces the idea of the Divine Feminine as immanent, experienceable creative power.
This hymn depicts Vac as the Supreme Power, governing various deities such as Vasu, Soma, Tvasta, the Rudras, and the Adityas while also being the source of treasures, sustainer of natural forces, and bestower of favors.
[4] Sāyaṇācārya, in his commentary, states that Vāgāmbhṛṇī, (Vāk, the daughter of Ṛṣi Aṃbhṛṇa) – a brahmaviduṣi (one who has realized Bṛahman) – has eulogized herself in this sūkta.
Vāk, having dissolved her individuality – the ego – has hence identified herself with the Paramātman (Brahman who is none other than the Devī), the all-pervasive saccidānanda (the indivisible Existence-Knowledge-Bliss-Absolute), and thus with all the forms in the universe and the functionaries thereof, has praised herself.