Later, there were publications in the magazine Ranok ("Morning") and in the Zakarpathian Komsomol press, and active participation in the work of a literary group at the Zakarpathian Branch of The National Writers' Union of Ukraine, membership in the editors' committee for this group as an editor in the poetry publications department, and contact and friendship with well-known figures in Transcarpathian literature who were central to the artistic life of the region—Petro Skunts, Ivan Chendei, and Felix Kryvin.

At that time, Dmytro Kremin was acquainted with Vasyl Gusti, who introduced him to the poets' circles of the University, and to Mykola Matola, Ivan Petrovtsii, Petro Keshelia, Yosyp Kleiman, V. Demydov, A. Stepanian, Y. Zhelitski, and G.

When the government of the time took its search for those critical of the Soviet regime to Zakarpattia, Ivan Chendei[7] was mocked and harassed for his book Bereznevyi Snih ("The March Snow") and his ingenious movie script for film director Serhii Parajanov's Tini Zabutyh Predkiv ("Shadows of Forgotten Ancestors").

When Kremin and Mykola Matola started their own press, they used an old typewriter to type the issues of their literary journal Skrynia ("Chest") and, later, a series of chapbooks.

In early 1974, when Kremin’s first book was ready to be published, and among other texts the symphony-style pieces "Garden", “Paranoiac Zone ‘A’", “A Dance of the Travelling Fire", "Adam's Horses", and the poem "Memorandum of Gershtein" were included, a form of criticism popular at the time called "creative report" was organized for the student Kremin by the head of the Yurii Hoyda University Literary Studio and docent of the university at a special gathering of the Studio.

Some of Kremin's essays have received national attention: Tayemnytsia Sarkofaha ("The Mystery of a Sarcophagus"), Kozak Mamai u Suzirri Mankurta ("Cossack Mamai in the Constellation of Mankrut"), Kudy Orel Nese Delfina (Where an Eagle Carries a Dolphin"), Tryzubom po Dvohlavomu Gorobtsiu ("With a Trident for a Two-Headed Sparrow"), Planeta pid Verboiu ("A Planet Under a Willow Tree") and others, published between the 1980s and 1990s.

[40] His literary portraits of famous contemporary figures have gained special popularity: these include pieces on the visual artists Andrii Antoniuk, Volodymyr Bakhtov, Ivan Bulavytskyi, Anatolii Zavhorodnii, Mykhailo Ozernyi, and Mykhailo Riasnianskyi; the actor Vasyl Burdyk; the stage director Oleh Ihnatiev; the poets Petro Skunts, Ivan Chendei, and others.