Dragomir Brzak

After the war, he spent much of his time in the Bohemian quarter of the old section of the Serbian capital called Skadarlija, socializing with friends, actors, poets, and artists.

Literary critic Jovan Skerlić mentions Dragomir Brzak for his effort in "The History of Modern Serbian Literature" (Istorija nove srpske književnosti).

Brzak soon ranked with the two undisputed leaders of Serbian dramatic art -- Branislav Nušić and Milovan Glišić.

He adhered to Scribe's constructive methods, which combined the three old kinds of comedy—the comedy of character, the manners and of intrigue—with drama bourgeois, and blended the heterogeneous elements into a compact body and living unity.

A series of melodramatic pageants (tableaux) from the national life, richly garnished with songs and dances, was a characteristic feature of the domestic repertoire, conjuring up the idyllic picture of the native land and alleviating the homesickness.