Dragomir Glišić (Valjevo, Principality of Serbia, 1 March 1872 – Belgrade, Yugoslavia, 17 June 1957) was a Serbian painter and war photographer.
From an early age, he showed a talent for drawing, and his first noteworthy work was a portrait of a fellow citizen, the writer Ljubomir Nenadović.
Then he gathered rich people from Valjevo to jointly give financial support to a talented boy.
[5] Of the 240 negatives recorded in 1916–1918 and preserved in the photo archive of the Military Museum, it can be concluded that Glišić was an extremely productive and valued war reporter.
He recorded many episodes from the war, mostly motifs in the background: refugees, military life, hospitals and wounded, staffs and commands, rest of warriors, prisoners ..., some scenes from the immediate war environment that are not uncommon: drawing cannons, columns on the way to positions, trenches with warriors in action, dead guards.
Although small, the photographic material with a significant painting and drawing cycle of that author, with motifs of similar content, represents one of the most valuable visual documents about the Serbian army in the First World War.
He made throne icons for the new Orthodox Church in Belgrade Cottage of Louis Franchet d'Espèrey.