On Easter, Mindy has to work a double shift, so she leaves Nicholas alone with Remington, after the latter kicks out some unscrupulous home renovators.

Candy is impaled through the mouth with a broomstick handle, Brooke is stabbed with a piece of glass, and Remington has his throat slit.

The killer is shown to be Mindy, who taunts Remington as he dies, stating, "I hid, and watched, and I saw how you treated Nicholas.

A flashback then shows that exactly a decade prior, Mindy set Donald, her abusive husband, on fire because he regarded Nicholas as a burdensome freak.

is a pretty shallow exercise, but Ferrin seems to know that and doesn't masquerade the film as anything other than what it actually is – a fun, pretense-free throwback to a bygone era of exploitation cinema.

It's this sense of play that slightly elevates the film above Ferrin's Someone's Knocking at the Door, a movie I felt tried too hard to be about something when it would've worked better by simply following through on its gonzo premise.

There's no such attempt at message-making in EBKK; it's sheer camp, a tongue-in-cheek nightmare of blood-splattered psychedelia and over-the-top (albeit clumsily edited) kills".

[1] Steve Barton of Dread Central gave the film a score of 3½ out of 5, called it well acted and competently made, and stated, "My advice?