Ebn meen fel mogtamaa

Quickly realizing that Hamada has no family with good intentions remaining, al-Saftawi takes him to an orphanage and pledges to visit regularly.

Hamada (Mohamed Tharwat) grows up in the orphanage and joins its Conservatory, where he excels at music and falls in love with his colleague Souad (Mona Gabr), while Khalil and Khamis squander their wealth on wine, women, and gambling as the tannery’s debts mount.

Khlail ends up paralyzed and begging in front of Alexandria's Abu al-Abbas al-Mursi Mosque, while Khamis makes a living as a squeegee man and panhandling on the streets.

[3] Mahmoud Kassem argued in his 2018 book الفيلم الغنائي في السينما المصرية (The Musical Film in Egyptian Cinema) that: Ebn meen fel mogtamaa marked a turning point in Egyptian film musicals, in which director Hassan al-Imam tried to launch a new generation of singers to replace the late Abdel Halim Hafez [who died in 1979].

However, the film was a box-office disappointment, and Tharwat soon left the silver screen for television.Nevertheless, songs from the score like "يا اللي مالوش غيرك حما" (“Oh, Hama, I Have No Protection But You”) were popular.