Edmund Wilson

He was a friend of many notable figures, including F. Scott Fitzgerald, Ernest Hemingway, John Dos Passos and Vladimir Nabokov.

His dream for a Library of America series of national classic works came to fruition through the efforts of Jason Epstein after Wilson's death.

His parents were Edmund Wilson Sr., a lawyer who served as New Jersey Attorney General, and Helen Mather (née Kimball).

Wilson began his professional writing career as a reporter for the New York Sun, and served in the army with Base Hospital 36 from Detroit, Michigan, and later as a translator during the First World War.

His family's summer home at Talcottville, New York, known as Edmund Wilson House, was listed on the National Register of Historic Places in 1973.

It covered Arthur Rimbaud, Auguste Villiers de l'Isle-Adam (author of Axël), W. B. Yeats, Paul Valéry, T. S. Eliot, Marcel Proust, James Joyce, and Gertrude Stein.

In 1931, monitoring the Coal War in Harlan County, with Mary Heaton Vorse and Malcolm Cowley he was run out of Kentucky by nightriders.

[11] Wilson lobbied for the creation of a series of classic U.S. literature similar to France's Bibliothèque de la Pléiade.

[13] Wilson's critical works helped foster public appreciation for several novelists: Ernest Hemingway, John Dos Passos, William Faulkner, F. Scott Fitzgerald, and Vladimir Nabokov.

In his book The Cold War and the Income Tax: A Protest (1963), Wilson argued that as a result of competitive militarization against the Soviet Union, the civil liberties of Americans were being paradoxically infringed under the guise of defense from Communism.

[23] Throughout his career, Wilson often answered fan mail and outside requests for his time with this form postcard: "Edmund Wilson regrets that it is impossible for him to: Read manuscripts, write articles or books to order, write forewords or introductions, make statements for publicity purposes, do any kind of editorial work, judge literary contests, give interviews, conduct educational courses, deliver lectures, give talks or make speeches, broadcast or appear on television, take part in writers' congresses, answer questionnaires, contribute to or take part in symposiums or 'panels' of any kind, contribute manuscripts for sales, donate copies of his books to libraries, autograph books for strangers, allow his name to be used on letterheads, supply personal information about himself, supply photographs of himself, supply opinions on literary or other subjects".