[29] On the occasion of the New York exhibition of Mylonas's series of photographs of the abandoned Ellis Island,[30] American art critic April Kingsley wrote the images make "rubble-covered rags look like the draperies on the Nike of Samothrace."
She added that the artist's "eye finds the formal beauty of ancient Greece at its most glorious in the least of the modern world's visual material--graffiti, the rubble of abandoned buildings and empty lots, and, recently wrecked automobiles.
"[31] Critic Evely Vogel of the Süddeutsche Zeitung remarked that her 2014 exhibition "Town Crier" was "inspired by the demonstrators of the Arab spring" and "full of revolutionary urge and humor."
According to ArtNet's Brian Skar, the "spare" clip "hammer[ed] together in a single point, myth, the abject, and the groping for larger social significance that characterizes [the whole Biennial].
"[33] In 1967, she married writer Elias Kulukundis, who subsequently became involved in springing outside the country her father who, at the time, was imprisoned and exiled in the Aegean island of Amorgos[34][35] by the regime.