Elizabeth Demaray

Demaray has created listening stations for birds that play human music, fabricated alternative forms of housing for hermit crabs from artificial materials, and built light-sensing robotic supports that allow potted plants to roam freely in search of sunlight and water.

[2][3] Her Sticks and Stones: The Nike Missile Cozy Project was designed to show the nature of warfare and to familiarize the public with what served as the U.S. land to air defense during the Cold War.

[4] Demaray worked with a paleontologist and a mechanical engineer to design the structures for The Hand Up Project, Attempting to Meet the New Needs of Natural Life Forms.

[5] In 2007, Demaray worked with video artist John Walsh to create Inside/Outside: Habitat, on view at the Abington Art Center's Sculpture Park in Jenkintown, Pennsylvania.

[8] In a 2012 essay, Richard Klein, exhibitions director at The Aldrich Contemporary Art Museum, described Demaray's work: Demaray provokes complex questions concerning memory, knowledge, and the collaborative cognitive process that exists between artist and viewer, while making a body of work that has consistently confounded expectations by creating connections between diverse and often contradictory bodies of knowledge.

[21] Demaray is married to art professor and painter Hugo Bastidas, noted for his large-scale black and white paintings that span geographic and historic time-frames.