Elizabeth Durack

[1] The sisters were educated at the Loreto Convent in Perth, and also on the Kimberley cattle stations, Argyle Downs and Ivanhoe.

Based for much of her life in remote parts of north and central Western Australia, far from the metropolitan centres of mainstream artistic activity, Durack received stimulus and inspiration from sources quite different from those of her contemporaries, e.g. William Dobell, Arthur Boyd, Albert Tucker, et al.

Separated by both geography and gender, her talent emerged "... original, versatile and persistent, a xerophytic adaptation, almost, to a particularly harsh environment".

Over that time her art evolved from simple line drawings, through part-abstract metaphorical works, to the transcendent masterworks of her last creative phase.

Paintings by 'Eddie Burrup' were first displayed in January 1995 in a mixed exhibition at Kimberley Fine Art—Durack Gallery, Broome, Western Australia.

[11] In January 1996 Eddie Burrup was invited to participate in Native Titled Now, a 1996 Adelaide Festival of Arts Event presented by the Tandanya National Aboriginal Cultural Institute, March–April 1996.

[15] Three works by Eddie Burrup from Native Titled Now were removed from the walls of the Gippsland Art Gallery in Sale, Victoria.

During her lifetime Durack held many successful exhibitions but resisted selling certain key works that remain with the estate.

[5] Since her death, executors have arranged exhibitions as follows: Durack was interviewed and featured on numerous radio and TV shows including 60 Minutes.

Elizabeth Durack with Broome Madonna , from the series Time and Tide at the Athenaeum Gallery, Melbourne, 1946
At work on The New Plumage , Black Swan mural, Sir Charles Gairdner Hospital, Nedlands, Perth, 1956
In the beginning . . . (Genesis 1) 1997, mixed media on linen, diptych, each 190x92