The Paxtons were part of the Boston School, a prominent group of artists known for works of beautiful interiors, landscapes, and portraits of their wealthy patrons.

[9] William McGregor Paxton's papers—including sketches, correspondence, and photographs—are held at the Archives of American Art at the Smithsonian Institution in Washington, D.C.

[4] Of the Bostonian women artists born in the 19th century, most came from families that provided sufficient financial means to open their own studios and pay for their education.

Okie Paxton, considered by one art critic to be a better painter than her husband, "painted ravishing still lifes of moments in time".

Rather than show pristine interiors typical of the Boston School, however, Okie Paxton depicted a sensual, messy environment, indicating a modern sensibility and sexuality of the occupants.

She advocates for women’s right to vote, to work outside the home, to go to the theater on her own, and to buy objects she uses to create an intimate space all her own, just as we see in The Breakfast Tray.

She is finding new sexual freedom.By shifting from interior scenes to still life works, Okie Paxton avoided competing with her husband's subjects.

[14] Art lovers who like superb painting will be impressed with the works of Mrs. Elizabeth Paxton, widow of the renowned portrait painter.

Her still lifes and landscapes are of a high caliber, with a veritable "old master" technique; done with a skill and charm far above the average painter of today.