Emil Jannings

Jannings is best known for his collaborations with F. W. Murnau and Josef von Sternberg, including the 1930 film The Blue Angel (Der blaue Engel), with Marlene Dietrich.

Jannings was born in Rorschach, Switzerland, the son of Emil Janenz, an American businessman from St. Louis, and his wife Margarethe (née Schwabe), originally from Germany.

From 1901 onwards he worked with several theatre companies in Bremen, Nuremberg, Leipzig, Königsberg, and Glogau before joining the Deutsches Theater ensemble under director Max Reinhardt in Berlin.

[4] Permanently employed since 1915, Jannings met with playwright Karl Vollmöller, fellow actor Ernst Lubitsch, and photographer Frieda Riess.

Having signed a contract with the UFA production company, he starred in Die Augen der Mumie Ma (The Eyes of the Mummy, 1918) and Madame DuBarry (1919), both with Pola Negri in the main female part.

His increasing popularity enabled Jannings to sign an agreement with Paramount Pictures and eventually follow his acting colleagues Lubitsch and Negri to Hollywood.

His first film there, The Way of All Flesh, directed by Victor Fleming and now lost, was released in 1927, and in the following year he performed in Josef von Sternberg's The Last Command.

Minister of Propaganda Joseph Goebbels named Jannings an "Artist of the State" (Staatsschauspieler)[10] The shooting of his last film Wo ist Herr Belling?

In the same period Dietrich became a US citizen and an influential anti-Nazi activist, spending much of the war entertaining troops on the front lines and broadcasting on behalf of the OSS.

Jannings as Kreon in Hasenclever 's Antigone , Großes Schauspielhaus , 1920
Jannings with Joseph Goebbels on Wolfgangsee , 1938
Emil Jannings' grave at St Wolfgang im Salzkammergut