He was also a member of the first group of muralists to receive commissions in Post-Revolutionary Mexico, working alongside artists including José Clemente Orozco, Carlos Mérida, and Diego Rivera.
Raised and educated amidst the social and political upheaval of the Mexican Revolution,[1] Amero fully embraced its lessons and began to express his personal vision in painting, printmaking, illustration, photography, and filmmaking.
On his return to New York a few years later he became a teacher at the Florence Cane School of Art, executed murals for the Works Progress Administration, and experimented with photography and filmmaking.
He developed a friendship with the poet Federico García Lorca, who wrote a script for a Dada-esque Amero film entitled Viaje a la Luna (Trip to the Moon).
In 1940 Amero moved to Seattle, Washington to teach at the Cornish School, which had attracted such innovators as Martha Graham and John Cage.