Illustration

An illustration is a decoration, interpretation, or visual explanation of a text, concept, or process,[1] designed for integration in print and digitally published media, such as posters, flyers, magazines, books, teaching materials, animations, video games and films.

The origin of the word "illustration" is late Middle English (in the sense ‘illumination; spiritual or intellectual enlightenment’): via Old French from Latin illustratio(n-), from the verb illustrare.

[3] Contemporary illustration uses a wide range of styles and techniques, including drawing, painting, printmaking, collage, montage, digital design, multimedia, 3D modelling.

[5] Technical and scientific illustration is generally designed to describe or explain subjects to a nontechnical audience, so it must provide "an overall impression of what an object is or does, to enhance the viewer's interest and understanding.

[11] Many other illustration genres are equally valued, with pinup artists such as Gil Elvgren and Alberto Vargas, for example, also attracting high prices.

1600s Japan saw the origination of Ukiyo-e, an influential illustration style characterised by expressive line, vivid colour and subtle tones, resulting from the ink-brushed wood block printing technique.

In Europe, notable figures of the early 19th Century were John Leech, George Cruikshank, Dickens illustrator Hablot Knight Browne, and, in France, Honoré Daumier.

The British humorous magazine Punch (1841–2002) built on the success of Cruikshank's Comic Almanac (1827–1840) and employed many well-regarded illustrators, including Sir John Tenniel, the Dalziel Brothers, and Georges du Maurier.

With publication continuing into the 21st Century, Punch chronicles a gradual shift in popular illustration, from reliance on caricature to sophisticated topical observation.

[17] Among the best-known illustrators of that period were N.C. Wyeth and Howard Pyle of the Brandywine School, James Montgomery Flagg, Elizabeth Shippen Green, J. C. Leyendecker, Violet Oakley, Maxfield Parrish, Jessie Willcox Smith, and John Rea Neill.

Illustration by Jessie Willcox Smith (1863–1935)
"Illustration beats explanation" Western Engraving & Colortype Co. (1916)
The White Rabbit from Alice in Wonderland , illustrated by John Tenniel (1820–1914)
Oberon, Titania and Puck with Fairies Dancing by William Blake (1786)
An engraving by Georgius Agricola or Georg Bauer (1494–1555), illustrating the mining practice of fire-setting