Wednesdays follow the sessions of Clara Salinas (Ailín Salas), a 17-year-old classical dancer who enters therapy after an alleged attempt at suicide, and is unable to confront her father for the toxic relationship that unites them.

Thursday is the turn of the marriage of Ana Irigoyen (Dolores Fonzi) and Martín Pineda (Leonardo Sbaraglia), a couple that begins the sessions by their disagreement before the news of a pregnancy that they don't know if abort or not, and whose treatment is complicated because they cannot hold a conversation without permanent confrontation.

On Wednesdays, Guillermo attends to José (Roberto Carnaghi), an entrepreneur who is forced to face the passage of time and the ecological disaster caused by the company he runs.

In this third part, Guillermo Montes' personal life is in crisis, initially for fear of suffering a principle of Parkinson's, so he turns to Laura's office (Julieta Díaz) in search of psychiatric treatment.

The newspaper La Nación gave him a "very good" rating (four stars out of five) and praised "the forcefulness with which the characters of the characters involved in the story, the richness of the plot that the talks in the office reveal in which the relations between them are woven, the certainty of the dialogues that give account of these talks and the structure of each episode and the future of the series in general that manages the intrigue in addition to the turns, the emotion and the humor they get the viewer's imagination to become a luxury assistant for that indoor camera and make history come alive, variety and dynamism by transcending the limits of the unity of place that the series supposedly poses.

The newspaper Tiempo Argentino highlighted that “in the antipodes of the local productions that appeal to the musical edition to prick the spectator's emotion, here the silence allows to recover the“ noise of real life.

After all, this dryness strengthens the dramatic nature of the psychoanalytic scene and, in the viewer, the "feeling" of spying on an event that, of course, is forbidden, although it marked that" the vulnerable point of En terapia It is the collation, which in some episodes reveals incongruities of continuity.