The amalgam of diverse scenarios and visual narratives in Poskovic's work imply accounts from personal and social histories and reference themes of cultural and environmental shifts, migration and alienation that are at once magnificent and tragic.

Since 1991, Poskovic has lived in New York, Indiana, California, North Carolina, Illinois, Nebraska, and Michigan where he has taught at several universities and colleges.

[33] Working through additive and subtractive stone lithography printing and short animations to depict topography specific to Southeastern Herzegovina and Dalmatia region, Poskovic indirectly examines the recent political and demographic shifts in the country of his birth.

The classical drawing’s translation through lithography’s dense method pays homage to the history of the process invented in 1796 by German author and playwright Alois Senefelder.

This hybrid blend of drawing, print, and animation creates an amalgam of possibilities, in which the unfamiliar becomes almost tactile, while the familiar (rocks, clouds, water) provides a handhold on reality.