It consist of interviews with contemporary artists, critics, and collectors such as Olafur Eliasson, Harald Falckenberg, Damien Hirst, Hans-Ulrich Obrist, Marina Abramović, Olaf Breuning, Terence Koh, Genesis P-Orridge, Boris Groys, and Tobias Rehberger.

[2] In the course of the film, Niermann develops the idea of a pyramid mountain as a work of art, which is also the individual burial place of a collector.

At the end of the shooting, Niermann transferred the idea to Erik Niedling, who has since continued it in sometimes radical art projects.

[3] This was followed by exhibitions, publications and artistic acitions[4] dealing with the realisation of the pyramid mountain and research into radical political movements.

[9] A critical reflection of his activities took place through publications ("The Future of Art: A Diary", 2012),[10] interviews and most recently with the novel "Burial of the White Man" (Sternberg Press 2019).