Eugenia Romanelli
In 2004 she published La traversata di Emma Costa Rubens (Marotta), which witnesses the introduction of a work methodology based on mixing different sources, including non-literary areas, named the "Bazar Method".
[3] In the following years the Bazar Method took hold in an online magazine "Bazarweb.info", in the creation of a creative writing laboratory in the Faculty of Communications Science in the La Sapienza University in Rome (2004–2009),[4] in an online radio (RadioBazar), in a web art gallery (BazArt), managed by Luca Beatrice and in two volumes of collected articles, "Tecniche di comunicazione creativa: il metodo Bazar", with a preface by Mario Morcellini (Pellegrini-Rai Eri, 2005) and "Bazar Cultural brand: comunicare sempre", with a preface by Giulio Anselmi (Pellegrini-Rai Eri, 2007), which constitute one of the first Italian multimedia projects structured as cultural brands.
Both collections of essays followed the methodology used during the series of lessons and workshops at the University with alternate inclusions both scientific and poetic, technological and romantic, educational and recreational, from authors of very different extractions: artists, executives, intellectuals, students and academics who all contribute with flashes of infotainment and edutainment.
[6] In his book review in La Repubblica, Marco Lodoli writes: "The distinguishing feature of writers from the Quentin Tarantino generation is the attempt to describe our liquid reality.
[7] The text incorporates for the first time the theme of bisexuality, which returns in the erotic novel E' scritto nel corpo (2013), which marks the launch of the new crossover literature series BookMe by the De Agostini publishing house, and which introduces the author to a wider readership.
In 2015 Castelvecchi published La donna senza nome, a novel that explores the construction of personal identity of a young woman born to a lesbian couple through artificial insemination using the sperm of an anonymous donor.
Teachers at the school include, amongst others, David Riondino (the school's deputy director), Roberto D'Agostino, Vladimir Luxuria, Peter Gomez, Giorgio Cavazzano, Vauro Senesi, Milo Manara, Sergio Staino, Stefano Benni, Neri Marcorè, Paolo Virzì, Ascanio Celestini, Margherita Buy, Laura Morante, Romana Petri, Edoardo Albinati, Elena Stancanelli, Donatella Di Pietrantonio, Rosella Postorino, Michela Murgia, Melania Mazzucco, Melissa P., Sandro Veronesi, Giancarlo Leone, Stefano Bollani, Rancore, Marina Rei, Stefano Senardi, Ernesto Assante, Valerio Magrelli, Antonio Padellaro, Giulio Anselmi, Marco Damilano, Bianca Berlinguer, Lucia Annunziata.
It includes an art gallery with works donated by artists such as Sten Lex, Lucamaleonte, Giacomo Costa, Federico Solmi, Vauro, ivan, and many others.
Participants include very young supporters as well as known bylines of Italian art and culture, including Gianrico Carofiglio, Giancarlo De Cataldo, Gianna Nannini, Paola Turci, Michele Serra, Carmen Consoli, Carlo Massarini, Marina Rei, Melania Mazzucco, Vinicio Capossela, Achille Bonito Oliva, David Riondino, Massimo Recalcati, Rancore, Piero Pelù, Vauro, Jovanotti, Nancy Brilli, Fridays For Future, and many others.
Amongst others, participants included Drusilla Foer, Max Gazzè, Greg, Giovanni Scifoni, Edoardo Albinati, Luca Barbarossa, Federica Cacciola-Martina Dell'Ombra, Livio Beshir, Pino Strabioli, Karma B., Michela Andreozzi, and many Italian activists including Annalisa Corrado, Paola Di Nicola, Giulia Blasi, Maura Cossutta, Riccardo Magi, Susanna Camusso, Francesco Ferrante, Rossella Muroni, Christian Raimo, Barbara Masini, as well as about a hundred professionals like Anna Oliverio Ferraris and Arturo Di Corinto.
Since 2011 she has been teaching Communication and New Media at the Silvio D'Amico Academy of Dramatic Arts, courses which includes research into the language of the "digital revolution" which resulted in the publication of a collection of essays Tre punto zero, edited for Dino Audino Publishers (2011).
