Less public splinter groups have carried out direct action (including arson and hacktivism), hosted international conventions and other events, maintained local chapters, sparked riots, and toured with multimedia performance art or anarcho-punk musical ensembles.

has an association with the North American anarcho-punk scene due to its relationship with artists in the genre and its publishing of Inside Front as well as more recently the contemporary anti-capitalist movement.

nom de guerre have included convicted Earth Liberation Front arsonists,[11] as well as hacktivists who successfully attacked the websites of DARE, the Republican National Committee, and sites related to U.S. President George W. Bush's 2004 re-election campaign.

[16] Among their best-known publications are the books Days of War, Nights of Love, Expect Resistance, Evasion, Recipes for Disaster: An Anarchist Cookbook, the pamphlets To Change Everything: an Anarchist Appeal (available in paper, PDF and video form), and Fighting For Our Lives (with 650,000 copies printed by 2010),[17] the hardcore punk/political zine Inside Front, and the music of hardcore punk bands.

is connected to publishing collectives/organizations with similar ideas, notably the Curious George Brigade, which has written a number of publications including Anarchy in the Age of Dinosaurs.

Typically featuring the performances of traveling theatrical troupes, musicians, direct-action and mutual-aid workshops from individual participants, the few-days-long camping trips have attracted coverage in newspaper articles,[24] initiated multiple Reclaim the Streets actions, mobilized large Critical Mass events, and catalyzed many other activities.

[24] The Athens News characterized the convergence as "a sort of networking, resume-swapping opportunity for would-be radicals, free-thinkers, Levellers, Diggers, Neo-Luddites, and other assorted malcontents.

"[26] It is typical of these gatherings to require that all attendees have something to contribute to the momentum: whether it is bringing food or equipment to share, leading a discussion group, or providing materials with which to write to political prisoners.

[25] Harper's journalist Matthew Power described the 2006 convergence in Winona, Minnesota as follows: Several hundred young anarchists from around the country had train-hopped and hitchhiked there to attend the annual event known as the CrimethInc Convergence...Grimy and feral-looking, the CrimethInc kids squatted in small groups around a clearing...[they] were in the middle of several days of self-organized workshops, seminars, and discussions, ranging from the mutualist banking theories of the nineteenth-century anarchist philosopher Pierre-Joseph Proudhon, to an introductory practicum on lock-picking, to a class on making one's own menstrual pads ... CrimethInc's adherents had come together there because they wanted to live their lives as some sort of solution.

Every year a different set of policy requests is released from locals in the field, typically encouraging a sober, consensus-based space in which no financial transactions are made.

is associated with the North American anarcho-punk scene because of its long relationship with notable musicians in the genre and its publishing of Inside Front, a "journal of hardcore punk and anarchist action".

Their frequently-asked questions page asserts that it has "no platform or ideology except that which could be generalized from the similarities between the beliefs and goals of the individuals who choose to be involved—and that is constantly in flux.

is influenced by the Situationist International,[38] and has been described by scholar Martin Puchner as "inheritors of the political avant-garde",[39] For their part, the authors of the book criticized the "exclusive, anti-subjective" nature of history as "paralyzing", advocating in its place a non-superstitious myth.

[40] The collective has expressed a strident anti-copyright stance and advocacy of the appropriation of texts and ideas of others, which has attracted criticism from academic philosopher George MacDonald Ross as an endorsement of plagiarism.

itself is a satirical self-criticism about the hypocrisy of revolutionary propaganda and other "margin-walking between contradictions",[4] and a direct reference to the concept of "thoughtcrime" developed in George Orwell's Nineteen Eighty-Four.