[7] Tomlinson decided to work with artists rather than professional songwriters for the record, as he believes it allows for more natural conversations and "focus on the heart of the music".

[11][12] A deluxe CD zine edition of Faith in the Future includes two more songs, "Headline" and "Holding On to Heartache".

[18] In a mixed review, Clash writer Robin Murray stated that "Faith in the Future" can at times become stuck in formula, failing to rock the boat in the process," and added that "It's all perfectly pleasant, but you end up yearning to an injection of… well, anything, really.

"[20] Writing for Dork Jessica Goodman described the album as "eclectic, electric, and always energetic" while also stating that it's "a collection of songs purpose-made for pints-in-the-air, arms-around-shoulders, voices-to-the-rafters sing-alongs.

"[21] Rhian Daly of NME notes that the record "feels much more assured" and "is a solid step forward as the musician continues what he's acknowledged will be 'an ever-evolving process'.

"[23] The Guardian's Alim Kheraj lamented that "Tomlinson himself, is lost in a sea of influences", but pointed out that "apocalyptic rave synths and woozy reverb-heavy guitars at least gesture towards experimentation.

"[24] At the end of 2022, Faith in the Future appeared on critics' lists ranking the year's top albums.