[2] Two "new" works were scheduled for the Salle Favart (Opéra-Comique) in 1872 as it regained momentum after the Franco-Prussian War and the Commune; Fantasio by Offenbach and les Noces de Figaro, Mozart's opera after Beaumarchais, which entered the Opéra Comique repertoire that February.
[3] The choice of Fantasio as an operatic subject was considered a bold one, as Alfred de Musset's comedy had not seen great success at the Comédie-Française as a play.
At first the distribution was intended to be Capoul as a tenor Fantasio, Couderc as the Prince, Potel as Marinoni, Gailhard as Spark, Mlle Dalti as Elsbeth and Moisset as the page.
Even Bizet was reduced to attacking the "infernal Offenbach", who had Boule de neige and Le roi Carotte premiered in the weeks prior to Fantasio.
Yon argues that Offenbach's sensitivity to criticism was also due to his identification with the title character of Fantasio – the bitter clown.
[2] After its premiere at the Opéra-Comique (where it was performed ten times before being dropped from the repertoire), Fantasio was produced at the Theater an der Wien on 21 February 1872, and also seen in Graz and Prague in October 1872, and Berlin in 1873.
[9] The opera was also performed at the summer festival of Opernbühne Bad Aibling in 2003, with Johann Winzer (tenor) as Fantasio and Uta Bodensohn as Elsbeth.
[11] Fantasio was performed in concert by Opera Rara with the Orchestra of the Age of Enlightenment conducted by Sir Mark Elder, at the Royal Festival Hall, London on 15 December 2013, with Sarah Connolly (Fantasio), Brenda Rae (Elsbeth), Victoria Simmonds (Flamel), Russell Braun (Le Prince), Neal Davies (Sparck) and Brindley Sherratt (Le Roi)[12][13] and a recording with the same cast was issued in 2014.
[15] Keck argues that one reason for the neglect of Fantasio was that it has been difficult to locate a performing edition; only a vocal score was published at the time of the premiere, along with a corrupt and re-orchestrated German version.
[16] A new production of Fantasio by the Opéra-Comique was presented at the Théâtre du Châtelet, Paris, in February 2017 conducted by Laurent Campellone with Marianne Crebassa in the title role, with the intention of touring to Rouen, Montpellier and Zagreb.
[19] In an English version by Jeremy Sams, the work was seen at the 2019 Garsington festival, conducted by Justin Doyle, with Hanna Hipp as Fantasio and Jennifer France as Elsbeth.
[20] A public square at dusk; palace gates and a terrace on one side, on the other a tavern and a tailor's shop Townspeople sing joyfully of the peace that will follow the imminent wedding of the prince of Mantua and the princess of Bavaria.
Hearing this romance she is moved, decides to help him elude the guards – who expect to see a hump-back jester, but not a young man – and gives him a key to the gardens.
Sarah Connolly (Fantasio), Brenda Rae (Elsbeth), Brindley Sherrat (The King of Bavaria), Russell Braun (The Prince of Mantua), Robert Murray (Marinoni), Victoria Simmonds (Flamel), Neal Davies (Spark).