He was instructed, according to Giorgio Vasari, by his father and by the Veronese Niccolò Giolfino, and probably by Antonio Badile and Domenico del Riccio (Brusasorci).
The chapel of the Sacrament in that church was frescoed concurrently by Farinati, Paolo Veronese, Domenico Riccio, and Battista del Moro.
In 1584, he painted one of the trio of painters (Farinati, Felice Brusasorzi, and Anselmo Canera) depicting events from the life of Moses for the palace of Pellegrino Ridolfi in the Veronese contrada of San Pietro Incarnario.
[2][3] He was a prosperous and light-hearted man, and continually progressed in his art, passing from a comparatively dry manner into a larger and bolder one, with much attraction of drapery and of landscape.
The Miracle of the Loaves and Fishes, painted in the church of San Giorgio in Braida, is accounted his masterpiece, executed at the advanced age of seventy-nine, and crowded with figures.