Faux Soir

It was produced by the Front de l'Indépendance, a faction in the Belgian Resistance, in a satirical style that ridiculed the propaganda put out through German-controlled media like Le Soir.

Though it resulted in significant repression, the Faux Soir's embodiment of zwanze, the characteristic folk humour of Brussels, made it an enduring symbol of the Resistance.

Through these various organisations, the FI ran sabotage operations, escape routes, a false document service, and circulated 250 different underground publications.

Nonetheless even this limited distribution demanded a print run of 50,000 copies,[1] assuming 500 kiosks to give Brussels reasonable coverage.

He quickly obtained it thanks to Andrée Grandjean ("Françoise"), a lawyer at the Court of Appeal and a key figure in publishing the clandestine newspaper Justice libre au Palais.

While the articles were being written and edited, the practical problems were surmounted at a speed which can only be explained by the level of enthusiasm created by the project.

Through Théo Mullier, a member of the FI who worked for Le Soir, the resistance gained access to a printing template with the paper's title letterhead, and to a list of bookstores directly served by the newspaper with the time of day and size of each delivery.

The British were asked to fly over Brussels on the afternoon of the 9th, which would trigger an air raid warning and delay the printing of Le Soir.

By 27 October, the ingredients of the false publication had been assembled: the title flan, the articles, the photos, even the cartoon, announcements and the obituaries, which were all written by enthusiastic participants.

The bundles of 100 papers, tied with a banner explaining the absence of the usual number of copies, were dropped in the kiosks where the people of Brussels were awaiting their newspaper.

Everyone rushed to acquire a copy, as the deliveries of the real Le Soir arrived at the kiosk to the complete disbelief of the salesmen.

In the bottom right, a second photo showed Adolf Hitler with his arms on his waist, and his eyes raised to the heavens, saying "Das habe ich...".

Our reporter captured him in the exact moment where he had borrowed the Kaiser's words "Das habe ich nicht gewohlt" (I didn't want that).Moreover the titles of the first pages, as in the rest of the paper, seemed bland enough, for example "Effective Strategy", where the author strove to imitate the convoluted prose of Maurice-George Olivier, a collaborationist journalist who was a mouthpiece of propaganda communications for the people: It is no secret in Berlin, where an apparent calm veils a certain anxiety not bereft of a vague hope that operations in the East have entered – or are about to enter depending on the angle from which one views the situation – a new phase which is hardly different from the present phase, except with certain changes.

So the course of these three campaigns in order shows that the German general staff have not lost at any time control over the sequence of the seasons, an element whose importance should not be underestimated.

The success of this should not be put into relief; beyond the fact that it brings the most striking rebuttal to the misrepresentation that the Reich lacks rubber, it also demonstrates in the least penetrating manner how little intellectually evolved is the idea that Stalin and his generals have of modern warfare.

It should be stated that this manner of conducting warfare, notwithstanding its substantial advantages, is desperately monotonous for any military critic worthy of the name.

It is hard to understand ... the general staff of the Soviets persists in hanging forward to the German troops who pick back.

This blind obstinacy could have consequences, as good observers alone are beginning to perceive.Another first-page article was the "German communiqué": On the Eastern Front, despite notable changes, the situation remains unchanged.

In trapezium-shaped Krementchoug-Odessa-Dnipropetrovsk-Mélitopol triangle, the enemy's attempts at penetration have been crowned with success everywhere, except in the places on the front where our soldiers have impeded the Soviet advance by the clever manoeuvre of surrendering en masse.

During the night of 8 and 9 November, a German "reprisal"-type combat aircraft managed to catch sight of the English coast as a considerable number of Anglo-American heavy bombers executed massive attacks on German towns, galvanising at once both our war industry and the morale of our population.Finally, under the title "International week" and the subtitle "From picking back to defensive victory", Faux Soir drove the point home by asserting that: What German high command is interested in is neither the Kremlin, nor the Bolshevik izbas nor the inaccessible centre of Piccadilly Circus ... the Wehrmacht has brought home, over the course of the last twelve months, the most striking defensive victory ever recorded in history.From the classified section, to the obituaries and the advertisements, each paragraph was a farce aimed at one or another collaborationist, or hinting at the government in exile or the country's liberation.

The building in Anderlecht , Brussels in which the photographs for the Faux Soir were prepared. It now houses the National Museum of the Resistance .
Ferdinand Wellens' print works at the rue de Ruysbroeck in central Brussels where the Faux Soir was produced on the night of 6/7 November
Front page French-speaking Belgian newspaper "Faux Soir" November 9 1943