[2] In 1991, Osnabrück decided to dedicate a museum to one of its natives, Felix Nussbaum, a Jewish painter murdered in the Holocaust.
In 1996, Daniel Libeskind's proposal, titled "Museum Without Exit," won the competition to design the building, which was completed in 1998.
[6] The museum's sides face three cities where Nussbaum studied art: Berlin, Rome, and Hamburg.
According to The Times, the museum, whose "narrow tunnel and subdued lighting impose an atmosphere of oppression,""clearly uses the idiom of displacement, loss and incomprehension.
"[7] Jonathan Glancey, in The Guardian, calls it "a masterpiece...in architectural dialogue with the paintings hung on its walls."