Fenrir

In Old Norse texts, Fenrir plays a key role during the events of Ragnarök, where he is foretold to assist in setting the world aflame, resulting in the collapse of humanity and society, and killing the god Odin.

In stanza 40 of the poem Völuspá, a völva divulges to Odin that, in the east, an old woman sat in the forest Járnviðr "and bred there the broods of Fenrir.

"[7] Further into the poem the völva foretells that Odin will be consumed by Fenrir at Ragnarök: Then is fulfilled Hlín's second sorrow, when Óðinn goes to fight with the wolf, and Beli's slayer, bright, against Surtr.

[9] In the flyting poem Lokasenna verse 38, Loki insults Týr by saying he cannot deal fairly with men because "it was your right hand/ that Fenrir tore away" referring to the association between left hands and dishonesty.

[11] Fenrir is first mentioned in prose in chapter 25, where the enthroned figure of High tells Gangleri (described as King Gylfi in disguise) about the god Týr.

The Æsir started to fear that they would not be able to bind Fenrir, and so Odin sent Freyr's messenger Skírnir down into the land of Svartálfaheimr to "some dwarfs" and had them make a fetter called Gleipnir.

[15] The Æsir went out on to the lake Amsvartnir sent for Fenrir to accompany them, and continued to the island Lyngvi (Old Norse "a place overgrown with heather").

When the gods knew that Fenrir was fully bound, they took a cord called Gelgja (Old Norse "fetter")[18] hanging from Gleipnir, inserted the cord through a large stone slab called Gjöll (Old Norse "scream"),[19] and the gods fastened the stone slab deep into the ground.

After, the gods took a great rock called Thviti (Old Norse "hitter, batterer"),[20] and thrust it even further into the ground as an anchoring peg.

Gangleri comments that Loki created a "pretty terrible family" though important, and asks why the Æsir did not just kill Fenrir there since they expected great malice from him.

[26] In the Epilogue section of the Prose Edda book Skáldskaparmál, a euhemerized monologue equates Fenrisúlfr to Pyrrhus, attempting to rationalize that "it killed Odin, and Pyrrhus could be said to be a wolf according to their religion, for he paid no respect to places of sanctuary when he killed the king in the temple in front of Thor's altar.

[29] In chapter 50, a section of Ragnarsdrápa by the 9th century skald Bragi Boddason is quoted that refers to Hel, the being, as "the monstrous wolf's sister".

Towards the end of the poem, a stanza relates sooner will the bonds of Fenrir snap than as good a king as Haakon shall stand in his place: Unfettered will fare the Fenris Wolf and ravaged the realm of men, ere that cometh a kingly prince as good, to stand in his stead.

[34] Thorwald's Cross, a partially surviving runestone erected at Kirk Andreas on the Isle of Man, depicts a bearded human holding a spear downward at a wolf, his right foot in its mouth, while a large bird sits at his shoulder.

[38] These combined elements have led to the cross as being described as "syncretic art"; a mixture of pagan and Christian beliefs.

[35] The mid-11th century Gosforth Cross, located in Cumbria, England, has been described as depicting a combination of scenes from the Christian Judgement Day and the pagan Ragnarök.

[37] The Younger Futhark inscription on the stone bears a commonly seen memorial dedication, but is followed by an encoded runic sequence that has been described as "mysterious",[40] and "an interesting magic formula which is known from all over the ancient Norse world".

According to Schapiro, "the Anglo-Saxon taste for the Hell Mouth was perhaps influenced by the northern pagan myth of the Crack of Doom and the battle with the wolf, who devoured Odin.

For example, a Migration Period gold bracteate from Trollhättan, Sweden, features a person receiving a bite on the hand from a beast, which may depict Týr and Fenrir.

[43] A Viking Age hogback in Sockburn, County Durham, North East England may depict Týr and Fenrir.

"[45] John Lindow says that it is unclear why the gods decide to raise Fenrir as opposed to his siblings Hel and Jörmungandr in Gylfaginning chapter 35, theorizing that it may be "because Odin had a connection with wolves?

Lindow compares Fenrir's role to his father Loki and Fenrir's sibling Jörmungandr, in that they all spend time with the gods, are bound or cast out by them, return "at the end of the current mythic order to destroy them, only to be destroyed himself as a younger generation of gods, one of them his slayer, survives into the new world order.

The ruler Taxmoruw (Taxma Urupi) managed to lasso Ahriman (Angra Mainyu) and keep him tied up while taking him for a ride three times a day.

Fenrir and Naglfar on the Tullstorp Runestone . The inscription mentions the name Ulfr ("wolf"), and the name Kleppir / Glippir . The last name is not fully understood, but may have represented Glæipiʀ which is similar to Gleipnir which was the rope with which the Fenrir wolf was bound. The two male names may have inspired the theme depicted on the runestone. [ 1 ] [ 2 ]
An illustration of an image on a bracteate found in Trollhättan , Västergötland , Sweden. The image is considered a depiction of Týr tricking Fenrir. Drawing by Gunnar Creutz.
Odin and Fenris (1909) by Dorothy Hardy
Fenrir and Odin (1895) by Lorenz Frølich
An illustration of Víðarr stabbing Fenrir while holding his jaws apart (1908) by W. G. Collingwood , inspired by the Gosforth Cross
The Binding of Fenrir (1908) by George Wright
Odin and Fenriswolf, Freyr and Surt (1905) by Emil Doepler
Fenrir (1874) by A. Fleming
Bound of Fenrir. Dorothy Hearthy (1909).
A 17th-century manuscript illustration of the bound Fenrir, the river Ván flowing from his jaws
Thorwald's Cross at Kirk Andreas, Isle of Man
The Ledberg stone in Sweden
Fenrir bites off the hand of a sword-wielding Týr in an illustration on an 18th-century Icelandic manuscript