On the basis of several instructional tango books published between 1911–1925 [1][2] early tango figures can be grouped into eight categories: corte, paseo, la marcha, ocho, grapevine, ruedas, media luna, molinette.
[4] In 2010 there exists as many as 200 instructional DVDs discussing elements of Argentine tango dance.
Argentine tango dancing consists of a variety of styles that developed in different regions and eras and in response to the crowding of the venue and even the fashions in clothing.
In Argentine tango, the leader can change his weight from one foot to another while the follower's weight remains unchanged; this is the simplest method of changing from parallel system to cross system or vice versa.
Some Argentine tango teachers teach complex figures but break them down into simpler parts.
Beginner classes may include caminada – combination of caminar (walk), cross, and ochos.
It gives leader an exceptional opportunity to improvise, and in part makes the Argentine tango unique in the dance world.
As in many dances most spectators focus on the follower – her elegance, grace, music interpretation as well as technique.
Even though these are highly individual attributes there are some accepted ideas of what makes a follower graceful and beautiful when dancing tango.
Several embellishments are: aguja, amague, boleo, caricia, cuatro, enroscar, golpecito, lustrada, rulo.
Expression of emotions such as raising hand by a follower and gently lowering it on partner's shoulder; dancing with cheeks together.
Tango elements come in a variety of shapes determined by, for example, elasticity or flexion of the execution of movement.
Such variants gives a figure a more modern or traditional look, it can be an expression of the follower's creativity, or simple adjustment to how crowded is the floor.
These are ways for leaders and followers to challenge and tease their partners and make dance more playful.