[1][2][3][4] In a review for AllMusic, Steve Loewy called the album "a stunning document all the way around," and wrote: "Parker plays on only five of the nine tracks, but the members of the rhythm trio perform magnificently on their features.

Beresford is an original improviser form the Cecil Taylor school, while Moholo adds a sophisticated air, and Edwards continues to show himself as one of the leading free-style bassists.

"[1] The authors of The Penguin Guide to Jazz Recordings stated: "This is a collective album rather than a Parker... Beresford is as cleverly inventive as ever and is sparkling with ideas.

The superstructure of the album consists of three lengthy quartet tracks... which allows for a wide range of interaction, spanning minute investigations of texture to bold, often Moholo-triggered, surges of energy.

"[7] Writing for All About Jazz, Robert Spencer noted: "While [Parker's] approach is well-established at this point, he has a particular ability to adapt to his surroundings.