Francesco Pesellino

Pesellino remained in his grandfather's studio until the latter's death, when he began to form working partnerships with other artists, such as Zanobi Strozzi and Fra Filippo Lippi.

In the following years he made for reputation with small, highly-finished works for domestic interiors, including religious panels for private devotional use and secular subjects for pieces of furniture (i.e. wedding chests and wainscoting).

According to many art historians, his style "anticipated the developments of later Florentine painters such as Andrea del Verrocchio and the Pollaiuoli [brothers Antonio and Piero]".

[2] According to Vasari, Pesellino painted the predella of Fra Filippo Lippi's Novitiate Altarpiece for Santa Croce.

At least one work by Pesellino is said to have hung in the same room as Paolo Uccello's Battle of San Romano.

Pesellino, in the Lives of Giorgio Vasari (1588)
Madonna and Child with Six Saints, 1450s. New York, Metropolitan Museum of Art .
Story of Griselda (detail of a cassone panel), ca 1450. Bergamo, Accademia Carrara.