Hilverding, simultaneously as his contemporaries Jean Baptiste de Hesse, and own assistant Gaspare Angiolini, contributed to the development of the Ballet d'Action, for which Jean Georges Noverre would get lasting credit with the publication of his Letters on Dancing and Ballets.
Ballets d'action emphasized a cohesive dramatic and expressive element to performances, with costumes, plot, and movement all serving the purpose of the story.
Hilverding studied in Paris from 1734 and 1736, and may have been inspired by the ballerina Marie Sallé, who was one of the first to explore this notion of cohesive dramatic ballets.
He started creating dramatic ballets as court choreographer in Vienna in the 1740s, many using the stories of mythological lovers.
Hilverding returned to Vienna in 1764 and staged "Le Triomphe de l'Amour" which starred Marie Antoinette and her brothers Ferdinand and Archduke Maximilian Francis of Austria.